Lydia, my 12-year-old, is expressing her creativity through writing and sculpting. She is enthralled with the Lord of the Rings, both book and movies, and has been sculpting some of the figures. Her latest piece on Gollum blew me away.






Lydia ran over to our picnic table at the lake. She said she had something I needed to see. There, sitting on the lawn was a young catbird, obviously sick or injured. She begged to take him home to see if we could nurture him back to health. Unfortunately the poor critter didn't make it through the night. However, he did get an opportunity to be immortalized on paper.
With each trip we take as part of the MFA program, we are required to create an image based on the place we last visited. Our March trip to San Francisco was especially important to me. It inspired me to start this blog, to create and experiment, to develop a new portrait style, and most of all freed me to return to watercolor and graphite.
Just like last last year, the incoming students were asking if I was related to Jean Tuttle. I made a t-shirt to help clarify things. Jean got a big kick out of it. So, before anyone else asks... no, I am not...
So this week we spent time in the digital world with our instructors Jean Tuttle and Nancy Stahl. Our assignment was to create an image of a person from Connecticut using 3 programs: Illustrator, Photoshop and Painter. I had not used Painter before so I tried to do most of the work in that program rather than just lean on what was familiar to me. I decided to do Robert Mitchum (he grew up in Bridgeport), specifically his film The Night of the Hunter.
What a great week it has been here in Hartford. First of all, getting back together with so many creative folks is electrifying. Second, to be under the tutelage of two illustration greats like C.F. Payne and Gary Kelley has been such a privilege. And third, I feel like I've really hit my stride. So much has seemed to come together in these past four days. It has also encouraged me to put this style to work for the Lady Who Swallowed a Fly book that I comped up last year. And best of all, I'm having a ball. What's better than that?
For those of you who have been complaining about staring at a salt and pepper shaker for the last two months, here's a pencil drawing of yours truly that I've used as an element in one of the pieces I'm bringing with me to Hartford next week. I'll be in classes for two weeks for my Masters and will be half way to my degree! As my sister so affectionately noted, "who's the old guy?" I'll post the full image when I return... If I'm not too ancient to remember.
So, after making a quick model of a salt shaker for yesterday's entry, I couldn't resist creating its complement and running a render while working on my paper for my MFA. Love being able to bounce back and forth between the digital and the traditional.
Just got the check from insurance to replace the carpet. We've been rearranging 3 rooms in order to get my studio upstairs... finally out of the basement into the light.
So, it's Wednesday already, and where's my post? My only answer... life happens!
Another of Teddy Roosevelt's firsts was being the first president to entertain an African-American to the White House.
All this drawing and painting made me thirst for some 3D modeling (what a geek!). Anyway, in researching Teddy Roosevelt, I found that there were a number of "firsts" associated with him and his presidency, one of which was being the first president to have a telephone in his home.
Last night I went to the University of Hartford to meet with Dennis Nolan, a wonderful watercolorist with the heart of a father. We talked for 2 hours about paint and palettes and chroma and value and all kinds of other fun stuff. Dennis was a real encouragement to me in the beginning of the MFA program. He knew that my real satisfaction would come from going back to my traditional roots. How right he was.
Your comments are truly helpful and welcome. Taking one more shot at the image of Liyah, I desaturated the color, darkened the background a bit so that the face stood out more, and added a little color to her lips and cheeks. Still a moody piece, but a far cry from the murderous first attempt from a couple weeks ago.
I was cleaning up my studio and started unfolding a piece of tissue I used to dab my watercolors. I scanned it in, made a seamless tile from it and started playing in Photoshop. I ended up making these Monet-like impressionistic patterns. Don't know what the heck I'm going to do with it yet, but it was one of those happy accidents that comes from entertaining oneself with paint-soaked kleenex.

Since deciding to work together with Ken and Lois Wilder I feel that rush like when I used to be a bike rider... when you come downhill and keep your cadence as you go up another. Having their photography, and the heart that comes with it, available to me has been a blessing and a half.
Now that I've done a few of these images, I'm understanding more and more the impact of color. I know that sounds like a "duh" moment, but I was so caught up with working the new style that I didn't think so much about what a slap to the eye that red can be. I've had a number of comments about the image of Liyah. Sure, if I was illustrating an article about someone who had been murdered or their heart broken, the original color scheme would work well.
One of the joys of being in a creative field is the friendships that grow with other gifted folks. One of these friends is Ken Wilder. Ken is a great photographer who works in concert with his wife, Lois, who is a fine artist.
Finally, a portrait of my oldest daughter. The last picture I drew of her was over 22 years ago. Bad daddy!
I was working on another image today when I started coveting a light box. When I worked at Union Carbide we had a beautiful light table... had to be 5' x 4'. Tried to get it when they were emptying out the offices after the Dow acquisition, but it got lost in storage somewhere and I never saw it again.
I've loved the photo of my wife, Donna, that this image is based on. The setting, however, left a lot to be desired. So, why not create a portrait?
Busy day yesterday... started another image but didn't have time to finish. So, I thought I'd post one of my nightly Doodle-Pro excursions with Emma.
My 18-year old daughter, Natalie, is a very gifted musician. I went to see her play last night at a venue in Hamden called The Space. I was blown away at how much she is maturing as an artist. Her song writing has improved greatly, and she always shines playing live.
Today was one of those glorious spring days, and Donna and the kids were heading to the park. I grabbed my sketchbook and went with them. The girl on the swing was so aware that I was sketching her... she didn't know whether to be embarrassed or show off.
Been busy today putting together a promo, so I pulled a sketch from my book. Another image for the children's book I'm working on.
Been messin' around with patterns using silhouettes of flowers. Here's just 4 examples of patterns from an image of a white and purple pansy. Playing with hues and blending modes produces an infinite number of patterns.
Decided to experiment with mixing several different media. Took a photo of my daughter Lydia, created a small pencil drawing to keep the lines fairly coarse. Scanned the pencil drawing in, ran it through a couple of filters in Photoshop (underpainting and poster edges), scanned in some watercolor splashes, and went to town with layering and masking. I really like the effect. Need to try it with other images. Would love some comments.
Had a great chat with Q Cassetti today — great artist and even better coach. I'm letting myself get too bogged down by this whole thesis thing. This daily blog right now is my kick start. No pressure, just what's flowing from the brain through the fingers today.
So, after more than a year of hemming and hawing, I'm finally posting. This past week's trip to San Francisco with so many incredibly talented illustrators inspired me to take the plunge. So here it is... the first of many daily paintings (or drawings, or whatever). I admit I'm not very impressed, but this is more of an exercise in experimenting and loosening up than in noodling and fretting over technique.